Legend of the Glyph, #2/2

January 27, 2007 by  
Filed under experimental, magick, sigils

Legend of the Glyph, #2/2

Many people have been curious about our work with the glyph and have interacted with us on a number of levels in an attempt to understand what it is we’re doing. The following is the text of a sort of panel discussion in which these questions are addressed by the folks most intimately involved.

Interviewer: What the hell do you think you guys are doing?

Dr. Silver: In effect, we are trying to bring balance and harmony to our community by drawing upon the subtle forces of the cosmos and aligning them through the process of ritual with the larger macrocosm. Drawing upon the hexagram as the symbol of the macrocosm, and its embodiment in the planetary spheres. We are trying to “juice” our community with the radiant energy of the sun, in Tipareth. Source of Love, Compassion, and Beauty. Such energy is sorely needed in our world today.

Magnus Po: Birthing a machine which filters stray psychic emanations from a city into seven parts, those parts being analogous to the sevenfold division of humankind’s perception of the universe used in planetary magick. Workings then bring down additional energies to selected points for application.

Frater A.: I certainly can’t improve on that, aside from the remarks made earlier in the book.

Interviewer: What if somebody gets hurt? Helped?

Dr. Silver: What if? The actual causal relationships would be hard to track. My own philosophy states that pure will, unassuaged of purpose, and delivered of the lust of result, is in every way perfect. I’m comfortable with my intentions, and trust that whatever happens, or if anything happens at all, it will be for positive purposes.

Magnus Po: I suppose there is a possibility of woe in this as in any technology. The degree to which the innocent bystander is hurt is usually dependent on what kind of lunatic is at the wheel, what sort of idiot has his finger on the button & the specific type of imbecile at the controls. In this case I suppose that you will just have to take our word for it that we are just the right kinds of lunatics, certainly the correct types of idiots, and precisely the sorts of imbeciles you, and everyone else, would jump at the chance to place in positions of authority over a gargantuan world-changing energy juggernaut such as the Glyph. Actually we are all very ethical folks. Misuse in this generation is unlikely. As for the possibility of spontaneous dangerous effects on the energetic level I would suppose this to be most possible at the focii during a working. Those responsible would then be those affected.

Frater A.: We didn’t start this big puppy up without a pretty clear idea of how to shut it down if we have to. We expect subtle effects over the course of a few years…

Interviewer: What gives you the right? Did you study up on this first?

Dr. Silver: What gave the Druids the right to use Stonehenge? What gave the Egyptians the right to build the pyramids? Not that our project is anywhere so lofty, but the key is the intention and the perspiration behind that. We felt that our community with its rising crime, drug rates, road rage, family violence, police brutality, and such was an ideal candidate for bringing about change in conformity with Will. Our initial intention was positive, and instead of protests, sit ins, or political rallying, we choose to work in more subtle dimensions to facilitate change. All of us are quite well versed in magical philosophy and practice. My own interest as an anthropologist rested largely in my curiosity with Margaret Mead’s activities with a similar group in Denver.

Frater A.: I might add that what gives me the right, even the audacity, to run for public office, and, upon winning that office, make decisions that will affect thousands or even millions? It is much the same thing. We have a genuine willingness to improve the lives and lot of our fellows and of ourselves and are bending our will in that direction using the tools at our disposal.

Magnus Po: We are unaware of having stepped on someone’s toes and are eager to make right any injustice for which we are responsible. In terms of study this project is the overlap of our areas of obsession and that was how we came to it.

Interviewer: What’s with the Star of David?

Dr. Silver: The Star of David, or Hexagram, is a symbol of the Macrocosm in harmony. Two triangles symbolizing the “upper” celestial, and “lower” terrestrial energies come together to reflect the union of opposites in the coincidata oppositorum of the Cosmos. As the symbol of union, it rests in Tipareth, the Heart, were all dimensions meet. As such, it’s the ideal symbol for our purposes.

Magnus Po: This is actually a black-ops project of the Priory of Sion.

Frater A.: Oooh! That’s funny! We started by looking at the lay of the land and seeing what forms were suggested by it. We found a lot of geophysical features with relationships to each other of about 60 degrees and this suggested a triangle, not unlike the Denver device. However, a simple triangle suggests the number three and so the energies of Saturn. We didn’t want to build a device that manipulated odic force in a Saturnian way, so doubled the figure, checked it against the map and were amazed by the correspondences that resulted. We felt that something in the nature of Tipareth would serve us better; the project evolved from there.

Interviewer: To what end did you want to draw down the planetary energies?

Dr. Silver: In drawing upon the various planetary energies, we acknowledge all facets of being and respect their various spheres. Mars, Venus, Saturn, etc.… are all metaphorical expressions of dimensions of Being. As such, in our work we seek a holistic and integral harmony that shuts no key dimension out. The Blessing was meant as an overarching empowerment and harmonization for the town, though its effects are in no way geographically bounded by the hexagram itself.

Magnus Po: Possible applications are endless.

Frater A.: We’ve seen our odd-but-lovable city undergoing a certain cultural entropy and sought to, at the very least, attempt to balance the forces here on a large scale to see if it would have any notable effect, feeling that no significant harm is likely to arise.

Interviewer: Do you plan to use these energies in later workings?

Dr. Silver: I personally, plan to “use” these energies in as much as they affect me in my daily life in society.

Frater A.: It was assumed that the Glyph would provide concentrations of specific planetary energies and these energies might be used in, say, empowering a talisman. Talismanic magick has always interested me, partly because it is so easy to quantify/qualify the results of such magicks in a fairly scientific statistical manner: either a thing happens within a specified period or it doesn’t. Being an eyewitness to a number of talismanic “successes” and very few “failures” made a believer out of me years ago. The thought that these focuses might facilitate visioning “in the Spheres” was also been discussed at length, and our preliminary results are suggestive of success, but it’s too early to tell.

Interviewer: You drew all your triangles in the same direction. Do you think Tyson’s dictum against doing such has any merit?

Dr. Silver: I feel Tyson’s system works for him. I don’t feel there are such “hard and fast” rules in this game. The quality of intention is the key.

Frater A.: We were intrigued by this thought of tracing the triangles in both strengthening & balancing directions. We adhered pretty much to the G.D. figure because it was the only one we had to hand that made enough sense, what with designing heptarchic magick using a hexagonal figure. I’ve noticed that G.D. and derivative traditions seem to like to “wind up” a ritual (or force) using circumambulation while Aurum Solis (the framework within which we choose to operate) rites stress the balancing of such things. I suspect we thought of kicking the glyph into a sort of motion by invoking the presences/powers of the planets as thoroughly as we could. It makes a great deal of sense to us to conduct circumambulations in the manner Mr. Tyson’s method suggests and we have incorporated this in present works, as shown in earlier parts of the Book of the Glyph.

Interviewer: It seems that you were trying to evoke the power of the Sun with your hexagram. Does it make sense to do so by invoking the powers of all the planets?

Dr. Silver: As all the planets existence and energy emanates from the Sun, it makes total sense to invoke their power as expressions of the center of the solar system. Once again, in addressing the totality, all dimensions are seen in relationship to a larger whole.

Magnus Po: The emphasis on the Sun is, I think, incidental. The hexagram was settled on in large part for geographical reasons and this left one planet in the middle. The Sun was the obvious choice for cosmological^/psychological mirroring.

Frater A.: I’d like to think it wasn’t left so much to chance. We are invoking the qualities of the power of the Sun, e.g. harmony, balance. We see the entire figure of the Sun and his family of planets as creating a balanced figure in and of itself, which happens to be divisible into 7 discrete entities, each with their own unique utility. Considered Qabalistically, we are dealing with the Will, Tipareth and one’s Knowledge and Conversation with one’s Holy Guardian Angel, so I expect those sorts of energies to be magnified in some way, perhaps even if only on a small scale. I guess I mean to say that the Glyph is envisioned as taking in local, non-organized energy, then imparting a pattern to it. This energy is concentrated in various places but also spreads a harmonious influence within its bounds, radiating out into the adjoining countryside as far as whatever encountered friction allows. At least, that’s our visualization so associated.

Interviewer: Was your ritual design too grand in scope?

Dr. Silver: Asking for a job, a sex mate, or a new car is the common use of people’s will and intention. Asking to bring harmony and peace to one’s community is far from “Too Grand in Scope.” It is hoped others will take such interest in how the powers of will and intention on the plane of mind bring about effects in the larger community.

Frater A.: I’m not sure we can say yet. We plan to give it five-plus years of effort to see if it attracts interest outside of our small group. By a simple formula not unknown to dynamic sciences: if you’re not going to have as much energy, you’re going to need more time. We believe we can make a measurable difference (the Glyph being detectable to dowsing/magnetics/etc.) with 6-7 regular participants working for 4-5 years. But, at least one of us is the sort of person (had they enough personal influence on our local scene) who would schedule a road race to be run upon the Glyph’s very course while the “elect” held rites of alchymical transubstantiation at some key location(s). Forgive my waxing poetic — we think we’ll wait and see how large an area upon which it can actually have a notable effect. It is, after all, an experiment.

Magnus Po: Full sized circumambulation is an exertion. It is also a real pleasure. We have been flexible enough so far to deal with it, whereas rigid thoughtforms make such things unendurable.

Frater A.: Boy howdy!

Interviewer: Would it have made more sense to draw down the powers of the planets one at a time over a much longer period? Did you take care to balance the planetary energies, or if that was even a valid consideration?

Frater A: I was concerned that that this would produce a potential abundance of one sort of energy or another over too-long a time. All planets were used in the original invocations, each merely “hi-lighted” at a different time. As a point of note, Magnus Po and I set out one day on bicycles to map out the precise location of the glyph upon the lay of the land, and since at least one of us is no longer a spring chicken, we were unable to complete the second circuit until later. We traced Moon-Mars-Jupiter-Moon on that day and that night a disturbed individual (and some buddies, it is supposed) took a notion to run about town with bedsheets and spray paint, decorating places with nazi-type swastikas and white supremacist slogans. The cops figured that it wasn’t a serious threat — just some kids acting out some weird fantasy. We took this incident a bit to heart, as it’s hard to imagine a better connection to Jupiter, Mars and Luna! We’ve elected to be more careful in future, just in case.

Dr. Silver: I favor the “All together now” approach. We are going for a specific effect that addresses multiple facets of being in totality. Thus, by invoking the energies together we address their essential relationality, and integral embodiment in the larger domain of Tipareth.

Magnus Po: Maybe it would have been a good idea. In any case we coalesced it in little more than seven weeks. Balance is inherent in form and my subjective experience of the astral temples is that they are of equal magnitude.

Interviewer: It looks as if you started with Saturn and worked your way inward through the planets. Why start with Saturn?

Dr. Silver: Saturn is form and foundation. It’s the root and structure. By starting with Saturn, we give the macrocosmic glyph a lasting and grounded basis for more Mercurial, Jovial, or Venusian energies.

Frater A.: When the sun comes over the eastern horizon, it’s rays first reach the place consecrated to Saturn, therefore Saturn had to be first, just as the Sun had to hold the middle position. We personally fiddled with a variety of possible allocations of planets to geographical places before settling on the current arrangement. Saturn, you’ll note, has an association with the idea of “a gate,” and we thought this also appropriate for the easternmost point.

Interviewer: Have you had considered using a unicursal hexagram? That glyph gives you a clear way to move back into the center. Might this be helpful as a practical matter during the performance of the ritual?

Dr. Silver: Crowley’s Unicursal Hexagram, though having six points, does not convey the idea of the linking of macro and microcosms through the conjoining of two inverted triangles. The linkage of celestial and terrestrial energies is most visible in this diagram.

Frater A.: I sat down and attempted to trace the unicursal hexagram in a variety of ways and couldn’t come up with a satisfactory arrangement, no matter what I tried. Some describe the force of this hexagram as “weak” and we imagine this is due to the alleged fact that such a figure cannot be constructed precisely, using any real mathematical proofs. A hexagram cannot be unicursal, and relies upon the clever alteration of the width of the drawn line to accommodate the idea. The introduction of Crowley’s Magick says as much. Significantly, drawing this figure creates anything but a sense of balance and more a sense of taking two steps backwards followed by three little ones forward. The territory is covered but more in the manner of an ambling drunkard than in a straight forward formula of balance and equity. For what it’s worth, Po and I discovered that if you trace the planets out in their order as given on the Tree of Life, you’ll come up with the figure that adorns the fly-leaf of the book. If you trace it in the order suggested by our planetary holiday schedule, you will get a unicursal hexagram.

Interviewer: Your magick seems to have a geomantic component to it. You can draw down the energy and establish the astral temples, but it seems that these temples must be grounded and founded on the earth for their greatest effectiveness. Stamping on the earth, calling the spirits of the earth for your aid seems like a good idea.

Dr. Silver: The Chinese geomantic art of Feng Shui with which I am familiar, addresses “Dragon Lines,” celestial “energies” and terrestrial forces through various methods, including landscaping, invocation, ritual, and such. Very little, if any “stamping” is visible in the Chinese relationship to receptive, earthy, “Yin” energies. This seems to be largely a creation of Western earth based religions. As such, there is no inherent need for such action.

Magnus Po: Temples are grounded because we are. Things must be located somewhere. Things astral manifest physically through a place to which they are anchored by natural or artificial correspondence (or through the mind/intent of an autonomous being).

Frater A.: The geomancy thing comes up quite a bit, but that’s not at all what we had in mind. I didn’t even know that the act of driving metal pins in the ground was a part of that tradition. I don’t fully subscribe to what’s going around this set of theories because I can’t really find much science behind it.

Interviewer: You perform part of the ritual with a willow wand. Perhaps that wand was a gift from the tree? Did you get any impression as to how local spirits/devas/dryads reacted to your ritual?

Dr. Silver: They liked it.

Frater A.: Yes, YES! We broke the damn tree! It was an accident, okay? But seriously — you’re right. We merely preserved a portion of the tree for later/permanent use in the rites that might follow. Laws of Association and Contagion, you see. We’ve seen a number of animals in various parts of the glyph and it’s interesting to note that some plant life is springing up, many of the wildflowers quite pertinent to their location.

Interviewer: Could it be that you were building upon the energy matrix that was already present?

Magnus Po: As above, so below. If one applies a natural form to the world one comes up with correspondences whose apparent significance says much about the world, the symbol, and the one doing the application. We are all it, unfolding, forever: Ewige Blumenkraft! In other words, I have absolutely no inkling whatsoever.

Frater A.: It was our assumption that some sort of energic flow is present in any case, likely modified by arrangements of geophysical features in the area. We wished to discover this arrangement and expand upon it, refining it, if possible.

Interviewer: Did you do any dowsing or any other kind of preliminary observations that could help verify this hypothesis?

Dr. Silver: Not to my knowledge.

Frater A.: Not as yet. That is part of our plan for evaluation.

Interviewer: What would constitute a success in the context of this ritual? For example, success can either be achieving whatever goal is held in the conscious mind, or good but unintended consequences that seem meaningfully related to the work.

Dr. Silver: Success for me would be a greater sense of ease, and harmony in my own relationship to my community, which I do feel, and in the overall tone of people’s relationships in our community.

Frater A.: We would consider success to be along those same lines, generally. In particular, this is a success if it a) is detectable by magickal or scientific means, b) shows any sign of attracting people to its maintenance, c) can be shown to positively effect the charging of talismans, d) can be shown to positively affect experiments in scrying, pathworking or similar workings. This is where we are headed, but it is very early in the game, we feel, so this is far from an exhaustive list.

Interviewer: Have you noticed anything that points towards the achievement of your goals or any unintended consequences, good, bad, or indifferent?

Dr. Silver: I enjoy the company.

Frater A.: It’s too early to tell, but there have been reports from Po that these exercises have stirred something odd in him and put a finer polish on his visualization skills. The feelings the rest of us have are about as vague at this point. It is interesting to note that, in the first period of evaluation, we obtained the services of a few “remote viewers” or clairvoyants and asked them to check up on what we had done, feeling fairly certain that they did not have access to much of the specific details of the project. The results they returned were quite significant. The overall shape and precise location were both described by these people. But stay tuned! That’s the sort of thing that’s going into Glyphbook 2.

More information about the Western traditions of planetary magick and the Companions of the Glyph can be found on their website located at: www.geocities.com/athens/oracle/8465.

This interview originally appeared in Cup of Wonder magazine.

©2006 Frater Auxilior Arti. Edited by Sheta Kaey.

Frater Auxilior Arti (nee Fr. Adsum Iterum) is an initiate of the Astrum Sophia, co-founder of the Companions of the Glyph and author of the Book of the Glyph and PRAXIS: The 2nd Book of the Glyph. A life-long student of the paranormal, he brings a scientific/Fortean viewpoint to the subject, a thing he feels is sadly neglected. You can find his Facebook page here.

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