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DaVayne

Tucson, Arizona

6:15 pm 25 February 2010

posts 1

Early in my attempts at writing, I scoured every technical manual available to me. The English language I presumed to understand suddenly took on a new and formidable dimension. The more I fought to excel in the mechanics of writing, the farther removed from sponteneity (actual creativity) I found myself. Concentration on what was "proper form" did nothing but frustrate any attempts I made to tell a story naturally. Not until I finally abandoned proper grammer, punctuation, and plot generation did I bring to light what I've come to know as my true voice.

In time, when experience alone became my guide, I began to rediscover those elusive technical elements of writing, and instead of allowing them to control my structure, I found them remarkably easy to manipulate in accordance with my will. Instead of rules, these elements became tools.

As with writing, so with magic: it is not enough to simply study what has come before us and blindly follow established formulae, when said formulae was mostly arbitrary at the point of origin. Rather, it behooves any who considers himself a magician to sweep away the valance, as it were, and come to understand these bizarre and wonderous forces we've come to know as "spirits" or "will" through his own experiences. Scholars, though certainly necessary, are never an end-in-itself. Only the adventurer — the magician or sorcerer — can take their rules and make of them tools. Only through practice can the magician discover his true voice.

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luxsilencia

Williamsport, PA

5:28 pm 9 July 2009

posts 2

i definitely would put myself in the 'armchair magician' box. though that is starting to change for me!

i have been reading Aaron Leitch's Secrets of the Magickal Grimoires, as I have a big interest in Goetic practices. though i must admit i am a bit of a materialist and take the psychological model on what spirits are to me. (lon milo duquette's essay on Goetic spirits being our mental six-pack of wants and desires and the ego. I pretty much hold to his theory.

The Lesser Key of Solomon, via Aleister Crowley's interpretation, is the book I use most in Goetic summonings. it is the essential text in my opinion.
:wink:

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RTV Admin

Houston, TX, USA

12:40 pm 16 June 2009

posts 38

Well stated! I agree — no amount of reading and looking at pictures can match the experience of tasting and eating that gourmet meal. You can speculate about how it might taste, and even fool yourself that you have a good idea based on the descriptions of the chefs of old, but without the full sensual experience, you can never know. You can't really get it.

Like they say — the map is not the territory and the menu is not the meal. :) Tasting is ever so much finer, though you may get a bit of sauce on your shirt.

Assaulting your ignorance since 2006!

Leni Hester
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Leni

9:58 pm 9 June 2009

posts 6

Though I understand the term "arm chair magicians" to refer to magicians who have loads of theoretical knowledge, but very litttle direct contact or practical experience, I believe all magicians can benefit from a balance of study and practice.  The metaphor that comes to my mind compares the practice magick to gastronomy.


I have collected cook books since I was about 6, and books of magick since I was a teen ager.  I have dozens of both.  Though I have never formally trained as a cook, I have an abiding interest in good food, and received a lot of on-the-job training from various kitchen jobs I've held.  I supported my learning by reading culinary magazines and studying cookbooks.  From these I have received both technical instruction and creative inspiration.  But I havem't cooked every recipe that I have, not even half of them.  I haven't used every technique.  My day to day diet doesn't tend towards the gourmet either, though I am able to produce much fancier, more elaborate food than I eat every day. 


I think the same is true for magick.  At a certain point, you have to stop reading the cook book and get in the kicthen and start breaking eggs.  Regardless of your skill level, you have to be able to feed to yourself.  The cook book, the Food Network, the glossy pictures of "Bon Apetit"–all of these can help support your cuisine, but they cannot feed you.  With magick, you can read all the theory that's written, but unless you take the steps to align will with action, until you begin to practice with your head and heart and hands all engaged, somethign is missing.  Theory is incredibly important, but assimiliating it is essentially a  passive act, which engages only the most cerebral parts of one's being.  Without action of some sort to engage the self on more than a conscious level, one's study of magick will be lacking.

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